Kimathi Donkor
London-based artist Dr Kimathi Donkor holds a PhD from Chelsea College of Arts as well as an MA from Camberwell College of Art and a BA in Fine Art from Goldsmiths. He is a Senior Lecturer at Wimbledon College of Art.
His work re-imagines historic and mythic encounters across Africa and its global Diasporas has been shown in solo and group exhibitions across the UK as well as internationally in Italy, Portugal, South Africa and Brazil including at the 29th Sao Paulo Biennial.
Fascinated by the infinite capacity of the painted surface to represent our deepest desires and concerns, Donkor has depicted famous black freedom fighters such as Harriet Tubman and Njinga Mbandi using imagery drawn from canonical western artists like Caravaggio. In other works, African religious figures like the black wife of Moses or the legendary Ethiopian Saint Iphigenia are re-interpreted in 21st-century settings. From the early 2000s, Donkor also began to address key themes of contemporary urban life ranging from the harrowing shock of police violence through to the tranquil pursuit of leisure and education.
Before settling in London, Donkor who is of Ghanaian, Anglo-Jewish and Jamaican family heritage lived in rural Zambia and the English west-country. Born in Bournemouth, UK, he regards his transnational legacy as helping shape the themes of his work.
He has received numerous residencies, awards and commissions including, in 2011, the Derek Hill Painting Scholarship for The British School at Rome. Writing about his practice has appeared in journals and books including Black artists in British Art: a history since 1950 (Chambers, 2014). Examples of Donkor's painting feature in private and public collections in the UK and internationally, including the Sindika Dokolo collection and the Wolverhampton Art Gallery.
London-based artist Dr Kimathi Donkor holds a PhD from Chelsea College of Arts as well as an MA from Camberwell College of Art and a BA in Fine Art from Goldsmiths. He is a Senior Lecturer at Wimbledon College of Art.
His work re-imagines historic and mythic encounters across Africa and its global Diasporas has been shown in solo and group exhibitions across the UK as well as internationally in Italy, Portugal, South Africa and Brazil including at the 29th Sao Paulo Biennial.
Fascinated by the infinite capacity of the painted surface to represent our deepest desires and concerns, Donkor has depicted famous black freedom fighters such as Harriet Tubman and Njinga Mbandi using imagery drawn from canonical western artists like Caravaggio. In other works, African religious figures like the black wife of Moses or the legendary Ethiopian Saint Iphigenia are re-interpreted in 21st-century settings. From the early 2000s, Donkor also began to address key themes of contemporary urban life ranging from the harrowing shock of police violence through to the tranquil pursuit of leisure and education.
Before settling in London, Donkor who is of Ghanaian, Anglo-Jewish and Jamaican family heritage lived in rural Zambia and the English west-country. Born in Bournemouth, UK, he regards his transnational legacy as helping shape the themes of his work.
He has received numerous residencies, awards and commissions including, in 2011, the Derek Hill Painting Scholarship for The British School at Rome. Writing about his practice has appeared in journals and books including Black artists in British Art: a history since 1950 (Chambers, 2014). Examples of Donkor's painting feature in private and public collections in the UK and internationally, including the Sindika Dokolo collection and the Wolverhampton Art Gallery.
London-based artist Dr Kimathi Donkor holds a PhD from Chelsea College of Arts as well as an MA from Camberwell College of Art and a BA in Fine Art from Goldsmiths. He is a Senior Lecturer at Wimbledon College of Art.
His work re-imagines historic and mythic encounters across Africa and its global Diasporas has been shown in solo and group exhibitions across the UK as well as internationally in Italy, Portugal, South Africa and Brazil including at the 29th Sao Paulo Biennial.
Fascinated by the infinite capacity of the painted surface to represent our deepest desires and concerns, Donkor has depicted famous black freedom fighters such as Harriet Tubman and Njinga Mbandi using imagery drawn from canonical western artists like Caravaggio. In other works, African religious figures like the black wife of Moses or the legendary Ethiopian Saint Iphigenia are re-interpreted in 21st-century settings. From the early 2000s, Donkor also began to address key themes of contemporary urban life ranging from the harrowing shock of police violence through to the tranquil pursuit of leisure and education.
Before settling in London, Donkor who is of Ghanaian, Anglo-Jewish and Jamaican family heritage lived in rural Zambia and the English west-country. Born in Bournemouth, UK, he regards his transnational legacy as helping shape the themes of his work.
He has received numerous residencies, awards and commissions including, in 2011, the Derek Hill Painting Scholarship for The British School at Rome. Writing about his practice has appeared in journals and books including Black artists in British Art: a history since 1950 (Chambers, 2014). Examples of Donkor's painting feature in private and public collections in the UK and internationally, including the Sindika Dokolo collection and the Wolverhampton Art Gallery.
London-based artist Dr Kimathi Donkor holds a PhD from Chelsea College of Arts as well as an MA from Camberwell College of Art and a BA in Fine Art from Goldsmiths. He is a Senior Lecturer at Wimbledon College of Art.
His work re-imagines historic and mythic encounters across Africa and its global Diasporas has been shown in solo and group exhibitions across the UK as well as internationally in Italy, Portugal, South Africa and Brazil including at the 29th Sao Paulo Biennial.
Fascinated by the infinite capacity of the painted surface to represent our deepest desires and concerns, Donkor has depicted famous black freedom fighters such as Harriet Tubman and Njinga Mbandi using imagery drawn from canonical western artists like Caravaggio. In other works, African religious figures like the black wife of Moses or the legendary Ethiopian Saint Iphigenia are re-interpreted in 21st-century settings. From the early 2000s, Donkor also began to address key themes of contemporary urban life ranging from the harrowing shock of police violence through to the tranquil pursuit of leisure and education.
Before settling in London, Donkor who is of Ghanaian, Anglo-Jewish and Jamaican family heritage lived in rural Zambia and the English west-country. Born in Bournemouth, UK, he regards his transnational legacy as helping shape the themes of his work.
He has received numerous residencies, awards and commissions including, in 2011, the Derek Hill Painting Scholarship for The British School at Rome. Writing about his practice has appeared in journals and books including Black artists in British Art: a history since 1950 (Chambers, 2014). Examples of Donkor's painting feature in private and public collections in the UK and internationally, including the Sindika Dokolo collection and the Wolverhampton Art Gallery.
selected artworks
view all
view all
view all
view all
Resist
Oil, Acrylic, Wood , Staples, Coins and
Charcoal on Canvas
Oil, Acrylic, Wood , Staples, Coins and
Charcoal on Canvas
Oil, Acrylic, Wood , Staples, Coins and
Charcoal on Canvas
Oil, Acrylic, Wood , Staples, Coins and
Charcoal on Canvas
120cm x 100cm
Notebook IX
Watercolour and Pencil on paper
Watercolour and Pencil on paper
Watercolour and Pencil on paper
Watercolour and Pencil on paper
90cm x 120cm
Harriet Tubman en route to Canada
Oil on Canvas
Oil on Canvas
Oil on Canvas
Oil on Canvas
210cm x 165cm
London visitation of Nanny of the Maroons
Oil on Canvas
Oil on Canvas
Oil on Canvas
Oil on Canvas
170cm x 140cm
VIEW ALL ARTISTS